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Тексты песен ›› Буква "p" ›› Phil ochs ›› The highwayman


Текст песни The highwayman от исполнителя Phil ochs

    Pre>

    By alfred noyes
    ---------------------------------

    Part one
    I
    The wind was a torrent of darkness among the gusty trees,
    The moon was a ghostly galleon tossed upon cloudy seas,
    The road was a ribbon of moonlight, over the purple moor,
    And the highwayman came riding-
    Riding-riding-
    The highwayman came riding, up to the old inn-door.

    Ii
    He'd a french cocked-hat on his forehead, a bunch of lace at his chin,
    A coat of the claret velvet, and breeches of brown doe-skin;
    They fitted with never a wrinkle: his boots were up to the thigh!
    And he rode with a jewelled twinkle,
    His pistol butts a-twinkle,
    His rapier hilt a-twinkle, under the jewelled sky.

    Iii
    Over the cobbles he clattered and clashed in the dark inn-yard,
    And he tapped with his whip on the shutters, but all was locked and barred;
    He whistled a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter,
    Bess, the landlord's daughter,
    Plaiting a dark red love-knot into her long black hair.

    Iv
    And dark in the old inn-yard a stable-wicket creaked
    Where tim the ostler listened; his face was white and peaked;
    His eyes were hollows of madness, his hair like mouldy hay,
    But he loved the landlord's daughter,
    The landlord's red-lipped daughter,
    Dumb as a dog he listened, and he heard the robber say-

    V
    One kiss, my bonny sweetheart, I'm after a prize to-night,
    But I shall be back with the yellow gold before the morning light;
    Yet, if they press me sharply, and harry me through the day,
    Then look for me by moonlight,
    Watch for me by moonlight,
    I'll come to thee by moonlight, though hell should bar the way.

    Vi
    He rose upright in the stirrups; he scarce could reach her hand,
    But she loosened her hair i' the casement! his face burnt like a brand
    As the black cascade of perfume came tumbling over his breast;
    And he kissed it's waves in the moonlight,
    (oh, sweet black waves in the moonlight!)
    Then he tugged at his rein in the moonlight, and galloped away to the west.

    Part two
    I
    He did not come in the dawning; he did not come at noon;
    And out o' the tawny sunset, before the rise o' the moon,
    When the road was a gipsy's ribbon, looping the purple moor,
    A red-coat troop came marching-
    Marching-marching-
    King george's men came marching, up to the old inn-door.

    Ii
    They said no word to the landlord, they drank his ale instead,
    But they gagged his daughter and bound her to the foot of her narrow bed;
    Two of them knelt at her casement, with muskets at their side!
    There was death at every window;
    And hell at one dark window;
    For bess could see, through the casement, the road that he would ride.

    Iii
    They had tied her up to attention, with many a sniggering jest;
    They bound a musket beside her, with the barrel beneath her breast!
    Now keep good watch! and they kissed her.
    She heard the dead man say-
    Look for me by moonlight;
    Watch for me by moonlight;
    I'll come to thee by moonlight, though hell should bar the way!

    Iv
    She twisted her hands behind her; but all the knots held good!
    She writhed her hands till here fingers were wet with sweat or blood!
    They stretched and strained in the darkness, and the hours crawled by like
    Years,
    Till, now, on the stroke of midnight,
    Cold, on the stroke of midnight,
    The tip of one finger touched it! the trigger at least was hers!

    V
    The tip of one finger touched it; she strove no more for the rest!
    Up, she stood up to attention, with the barrel beneath her breast,
    She would not risk their hearing; she would not strive again;
    For the road lay bare in the moonlight;
    Blank and bare in the moonlight;
    And the blood of her veins in the moonlight throbbed to her love's refrain.

    Vi
    Tlot-tlot; tlot-tlot! had they heard it? the horse-hoofs
    Ringing clear;
    Tlot-tlot, tlot-tlot, in the distance? were they deaf that they did
    Not hear?
    Down the ribbon of moonlight, over the brow of the hill,
    The highwayman came riding,
    Riding, riding!
    The red-coats looked to their priming! she stood up strait and still!

    Vii
    Tlot-tlot, in the frosty silence! tlot-tlot, in the echoing night
    !
    Nearer he came and nearer! her face was like a light!
    Her eyes grew wide for a moment; she drew one last deep breath,
    Then her finger moved in the moonlight,
    Her musket shattered the moonlight,
    Shattered her breast in the moonlight and warned him-with her death.

    Viii
    He turned; he spurred to the west; he did not know who stood
    Bowed, with her head o'er the musket, drenched with her own red blood!
    Not till the dawn he heard it, his face grew grey to hear
    How bess, the landlord's daughter,
    The landlord's black-eyed daughter,
    Had watched for her love in the moonlight, and died in the darkness there.

    Ix
    Back, he spurred like a madman, shrieking a curse to the sky,
    With the white road smoking behind him and his rapier brandished high!
    Blood-red were his spurs i' the golden noon; wine-red was his velvet coat,
    When they shot him down on the highway,
    Down like a dog on the highway,
    And he lay in his blood on the highway, with a bunch of lace at his throat.

    * * * * * *

    X
    And still of a winter's night, they say, when the wind is in the trees,
    When the moon is a ghostly galleon tossed upon cloudy seas,
    When the road is a ribbon of moonlight over the purple moor,
    A highwayman comes riding-
    Riding-riding-
    A highwayman comes riding, up to the old inn-door.

    Xi
    Over the cobbles he clatters and clangs in the dark inn-yard,
    And he taps with his whip on the shutters, but all is locked and barred;
    He whistles a tune to the window, and who should be waiting there
    But the landlord's black-eyed daughter,
    Bess, the landlord's daughter,
    Plaiting a dark red love-knot into her long black hair.


    By alfred noyes and phil ochs
    ------------------------------------------------
    C em
    The wind was a torrent of darkness
    Am
    Among the gusty trees
    Em f
    The moon was a ghostly galleon
    Dm g7
    Tossed upon cloudy seas
    C em
    And the road was a ribbon of moonlight
    Am
    Over the purple moor
    F c e am
    And the highwayman came riding, riding, riding
    F c
    Yes, the highwayman came riding
    Dm g7
    Up to the old inn door
    Over the cobbles he clattered
    And clashed in the darkened yard
    And he tapped with his whip at the window
    But all was locked and barred
    So he whistled a tune to the window
    And who should be waiting there
    But the landlord's black eyed daughter
    Bess the landlord's daughter
    Plaiting a dark red love knot
    Into her long black hair
    One kiss, my bonny sweetheart
    For I'm after a prize tonight
    But I shall be back with the yellow gold
    Before the morning light
    Yet if they press me sharply
    Harry me through the day
    Oh, then look for me by moonlight
    Watch for me by moonlight
    And I'll come to thee by moonlight
    Though hell should bar the way
    He did not come at the dawning
    No, he did not come at the noon
    And out of the tawny sunset
    Before the rise of the moon
    When the road was a gypsy's ribbon
    Looping the purple moor
    Oh a redcoat troop came marching, marching, marching
    King george's men came marching
    Up to the old inn door
    And they bound the landlord's daughter
    With many a sniggering jest
    And they bound the musket beside her
    With the barrel beneath her breast
    Now keep good watch and they kissed her
    She heard the dead man say
    Oh look for me by moonlight
    Watch for me by moonlight
    And I'll come to thee by moonlight
    Though hell should bar the way
    Look for me by moonlight
    Hoof beats ringing clear
    Watch for me by moonlight
    Were they deaf that they did not hear
    For he rode on the gypsy highway
    She breathed one final breath
    Then her finger moved in the moonlight
    Her musket shattered the moonlight
    And it shattered her breast in the moonlight
    And warned him with her death
    Oh he turned; he spurred on to the west
    He did not know who stood
    Out with her black hair a flowing down
    Drenched with her own red blood
    Oh not 'til the dawn had he heard it
    And his face grew gray to hear
    How bess the landlord's daughter
    The landlord's black eyed daughter
    Had watched for her love in the moonlight
    And died in the darkness there
    C em
    Back he spurred like a madman
    Am
    Shrieking a curse to the sky
    Em f
    With the white road smoking behind him
    Dm g
    And his rapier brandished high
    C em
    Blood red were his spurs in the golden noon
    Am
    Wine red his velvet coat
    F c
    When they shot him down on the highway
    E am
    Down like a dog on the highway
    F c
    And he lay in his blood on the highway
    F g
    With a bunch of lace at his throat
    And still on a winter's night they say
    When the wind is in the trees
    When the moon is a ghostly galleon
    Tossed upon cloudy seas
    When the road is a ribbon of moonlight
    Over the purple moor
    Oh the highwayman comes riding, riding, riding
    Yes the highwayman comes riding
    Up to the old inn door. /pre>

    Текст песни The highwayman от исполнителя Phil ochs представлен исключительно в ознакомительных целях для частного использования. Слова песни принадлежать их авторам.

Другие тексты песен исполнителя Phil ochs:
You should have been down in mississppi
You cant get stoned enough
William moore
William butler yeats visits lincoln park escapes unscathed
White boots marching in a yellow land
Where were you in chicago
Where theres a will theres a way
When in rome
When im gone
When first unto this country
Whats that i hear
What are you fighting for
We seek no wider war
Viet nam
United fruit
Time was
This old world is changing hands
Thirsty boots
There but for fortune
The world began in eden ended in los angeles
The war is over
The trial
The thresher
The shoals of herring
The scorpion departs but never returns
The sad silent song of a soldier
The power the glory
The passing of my life
The party
The parades still passing by
The marines have landed on the shores of santo domingo
The iron lady
The hills of west virginia
The highwayman
The harder they fall
The floods of florence
The doll house
The day
The confession
The cannons of christianity
The bells
The ballad of the carpenter
The ballad of sonny liston
The ballad of john train
The ballad of john henry faulk
The ballad of billie sol
The ballad of alferd packer
Thats what i want to hear

А знаете ли вы, что классическая музыка признана многими психологами, врачами и самими исполнителями в буквальном смысле чудодейственной. Сама по себе она не совершает чудеса, но она может самым благоприятным образом влиять на человека, растений и животных, на весь окружающий мир. И не важно, что в большинстве композиций классической музыки отсутствуют тексты песен, главное здесь - ее звучание, удачное сочетание нот и звуков.

Доказано, что классическая музыка благотворно влияет на нервную систему. Многие психологи прописывают своим пациентам слушать классическую музыку каждый день. Она не только успокаивает, но и вызывает положительные эмоции у человека. Классическую музыку даже с недавних пор стали использовать прогрессивных взглядов хирурги во время своих операций. Они прочувствовали на себе, что когда операция проводится под звуки классической музыки, все проходит как по маслу, а пациент в скорейшем времени реабилитируется и идет на поправку. Да, и во многих западных больницах в палатах больных играет классическая музыка. По словам врачей, она является усилителем медикаментозного лечения, так как своим звучанием настраивает на положительный лад людей, страдающих тем или иным заболеванием, внушает веру в выздоровление и в собственные силы справиться с болезнью. И все это не пустые слова - это результат проводимых неоднократно экспериментов.

К примеру, был произведен такой эксперимент - в две комнаты, одинаковые по размеру, температуре, влажности, степени освещения, поместили горшки с абсолютно одинаковыми цветами, и в каждой их них включили музыку - в одной классическую, а в другой - тяжелый рок. По истечении определенного времени эксперимент показал следующие результаты - в комнате с классической музыке цветы стали быстро прибавлять в росте, многие расцвели, все выглядели здоровыми, а в комнате с тяжелым роком цветы не только не выросли ни на сколько, а имели нездоровый вид, а многие даже зачахли. Чудодейственное влияние классической музыки на лицо. Однако этот эксперимент вовсе не говорит о том, что рок плох, и слушать его не следует, отнюдь - все люди разные, на кого-то и рок. И тексты песен роковых исполнителей действуют как чудесная сила.